Free shipping throughout Mexico

Processes

Each technique that forms part of our collections is linked to a specific community. We don't work with isolated techniques. We work with people, with territories, and with living memories. The process doesn't begin in the workshop. It begins with conversation. With encounters. With listening. Our work is built on creative dialogue, respect for cultural identity, and contemporary exploration of design. Each collaboration stems from long-term relationships where product development seeks not only aesthetic innovation but also to strengthen autonomy, recognition, and continuity. High embroidery. Textile pleating. Backstrap loom weaving. Pedal loom weaving. These are not formal resources. They are heritage, technique, and constant experimentation. Each group we collaborate with has its own identity and a particular way of understanding the craft

Communities

Flor de Margarita Group

Esperanza Pérez

Ansetik Mojel Amtejik Group

Jolob Group

Pleating is a repeated gesture that shapes the textile and shifts it towards new uses.
Esperanza Pérez is a master artisan from Amatenango del Valle. She grew up shaping clay alongside her mother, keeping the pottery tradition of her community alive. Over time, textile pleating became another of her artistic languages. She transformed this technique into a craft and a business, opening her own shop where she produces and sells pleated fabrics, skirts, and aprons. Since 2019, we have collaborated on the development of pleats for the brand. Together, we have explored proportions, materials, and new applications, bringing the traditional pleat to contemporary settings. Pleating has become one of the project's most recognizable features. But beyond aesthetics, it is a relationship sustained by respect, trust, and constant experimentation.

Textile Pleating · Amatenango del Valle, Chiapas

Origin

Clothing has no gender. The body doesn't need categories to exist. Tradition isn't the past; it's a living, evolving language. We don't believe in fast fashion or mass production. We believe in time, in the process, and in the hands that craft each piece. We design garments that don't respond to seasons, but to identity. Garments that don't impose a way of inhabiting the body, but rather accompany it. Collaboration isn't assistance. It's shared creation. Fashion can be a free space.

Production

Artisan techniques

Artisan techniques

Backstrap loom

An ancestral weaving technique practiced in various regions of Mexico. The loom is attached to the weaver's body with a belt and to a fixed point at the other end, allowing the tension of the fabric to be controlled through body movement. Through the interlacing of warp and weft threads, highly precise textiles are created, incorporating patterns, densities, and structures unique to each community
Backstrap loom

Raised embroidery

A handcrafted technique in which embroidery is created in relief on the surface of a textile. Through layers of thread and dense stitches, the shapes acquire volume and texture, transforming the fabric into a three-dimensional surface where each figure is constructed stitch by stitch
Raised embroidery

Textile pleats

A manual process in which fabric is folded following repetitive patterns that transform its structure and behavior. The folds are set with heat or pressure, creating rhythm, volume, and movement, while the material retains the memory of its new shape
Textile pleats
Processes